Scorched & oiled larch poles, framed airbrush paintings (106 x 82 cm). Pole 13 cm ∅, (length adapted to each exhibition venue).
Blackened larch poles are cut to the width of a transitional space, which is narrowed by a 3 cm frame, wedging each pole at an angle. Inside the frame is an airbrush drawing on Financial Times pink, of two worms, emerging, blinking in the bright light behind them. In a speech bubble, one asks “Is that The Sun or the Morning Star?” Nearby, the host’s recent subscription has produced an ample stack of editions of Morning Star. Open letter to its editors also available on request at the institution/gallery reception.
Drippy Etiquette, installation view: Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, CRAC Alsace, 2015 (group):
A.VE.NU.DE.JET.TE Institut de Carton, (2019); Chris Evans & Pak Sheung Chuen - Two Exhibitions, Hong-Gah Museum, Taipei (2019); Village Lawyer CAN / Centre d'art, Neuchâtel, 2018 (solo); Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, CRAC Alsace, 2015; Drippy Etiquette / A Needle Walks into a Haystack) Markus Luettgen, 2015, (solo); Drippy Etiquette, Piper Keys, London, 2014 (solo).