Concrete, PVC mats, wooden platforms, framed silver gelatin prints of commissioned drawings by diplomats
Drawings of invasive plants are solicited from members of the international diplomatic community. The drawings are photographed, inverted and printed as silver bromides. The framed prints (Diplomatic Letters) have their counterpart in a series of concrete forms (CLODS) positioned off or on shallow, white platforms and in proximity to unrolled gym mats. The lumpen CLODS are moulded in a marble aggregate concrete, rough-hewn underneath, buffed flat top and each bearing a bore-hole from removed metal piping.
Hat, Hat, Hat, Uniform, PRAXES Center for Contemporary Art, Berlin, 2015 (solo); Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, CRAC Alsace, 2015; Drippy Etiquette / A Needle Walks into a Haystack) Markus Luettgen, 2015, (solo); Clerk of Mind, Project Arts Centre, Dublin, 2014 (solo); Marianne Boesky, New York, 2014; The Gardens, Vilnius, 2014 (solo); CLODS, Diplomatic Letters, Juliette Jongma, Amsterdam, 2013 (solo);