A Needle Walks into a Haystack
A Needle Walks into a Haystack, 2014 (Detail)
Platinum and yellow gold ring with diamonds, sapphires and helidor (‘Flowergirl’) commissioned from Boodles responding to Liverpool Biennial’s press release as a brief; displayed on jesmonite tablet encased in rosewood and powder-coated steel vitrine. Commissioned by Liverpool Biennial 2014. Photograph: Mark McNulty
As Simple as Your Life Used to Be
—School Netball Uniform
—The School of Improvement
—Portrait of Thomas Carlyle as a Climbing Wall
CLODS, Diplomatic Letters
Detail: Ambrosia Artemisiifolia, commissioned drawing by Arunas Gelunas, Ambassador for Lithuania at UNESCO, inverted’. Silver gelatin print, framed. 2014.
Concrete, wooden platforms, pvc mats, framed silver gelatin prints. 2012–ongoing.
→frieze'Chris Evans', Joanne Laws, Issue 168, January-February 2015
→ArtReview'Chris Evans: CLODS, Diplomatic Letters', Agnieszka Gratza, Issue 64, December 2012
→frieze'Chris Evans', Natasha Soobramanien, Issue 152, January-February 2013
Cop Talk: Police recruitment talk to the students at the Art Academy of Nurnberg, 8th January 2015
→frieze '5th Berlin Biennial: Mes nuits sont plus belles que vos jours', Christy Lange, Issue 117 September 2008
Fan of Exaggeration
→artandresearch.org.uk Dan Kidner, Volume 2. No. 1. Summer 2008
Friends of the Divided Mind
Gemini Sculpture Park
—Unit 2: Mountgraphic Ltd.
—Unit 4: Yorkshire Telecommunications
—Unit 6: Rider Hunt
—Unit 8: Newman & Company
—Unit 9: Mesh Computers Plc.
Hermes Candles Painting for the Hermes Fraternity, Rotterdam
Home Entertainment 2 metres
Is My Work Too Commercial?
Is My Work Commercial Enough?
Is My Work Enough?
One Way Karma
—Adapt and Survive
—Effectual versus Ineffectual
Installation view, 'Regenerate Art', curated by Saim Demircan, 2014→Kunstverein Munchen
The Rock & The Judge (UK) 2005/8 (detail)
Plaster and pigment, ral 5001 specified for an adjacent wall, commissioned drawing by Detective Constable Richard Hill, East
Yorkshire Police Force. 60 × 160 × 60 cm (‘recoiling’ rock). 36 × 24 cm (framed drawing).
A Sculpture for the Ahmed Family
Three Sculptures for Marseilles
Trump Behind Bars
Tutor with an Idea
Untitled (Drippy Etiquette)
Installation view: Untitled Untitled (Drippy Etiquette), 2015
‘Is that The Sun or the Morning Star’ - airbrush painting x 3 (2015) to accompany 'Open Letter to Morning Star' (2013); scorched larch poles to width of gallery x 3, concrete discs x 3 (2014/15).
Untitled Untitled (Drippy Etiquette), 2015 (Detail: ‘Is that The Sun or the Morning Star’ - airbrush painting)
Village Hall Roadshow*
Without Thinking (I-V)
Without Thinking (Exception)